RESUME

SOLO EXHIBITIONS

2005

“Recent Paintings,”  Heriard-Cimino Gallery, New Orleans, LA

“Paintings,” Taconic Gallery, Chicago, IL
     
2004    

“Projection Series”, Roebling Hall Gallery, Brooklyn, NY

“Paintings”, Drabinsky Gallery, Toronto, Canada    

2002    

“Imperfect Systems”, Drabinsky Gallery, Toronto, Canada

“Paul Campbell”, Taconic Gallery, New York, NY    

“Imperfect Systems”, Roebling Hall Gallery, Brooklyn, NY

2001    

“Road Warriors”, Barcelona Culture Studio, Barcelona, Spain

2000    

“Paintings from Brooklyn”, Drabinsky Gallery, Toronto, Canada 

1999    

“Remote Control”, Roebling Hall Gallery, Brooklyn, NY

1998    

“The Mechanical Hand”, Megan Fox Gallery, Santa Fe, NM 

1996    

Brooklyn Brewery Space, Brooklyn, NY

1993    

Berland/Hall Gallery , NY, NY

1992    

Berland/Hall Gallery, NY, NY

1990    

White Room, White Columns, NY, NY

1989     

Cardin Gallery, NY, NY   

SELECTED GROUP EXHIBITIONS

2005

“Labyrinth,” Holland Tunnel, Paros, Greece

“Excavated,” Planet Thailand, Brooklyn, NY

2004

“Continental Divide: LA/NY”, Curated by Mark Zimmerman, Planet Thailand  
            
“Dialogue: Abstract”, Space Gallery, NY, NY

2003  

“Theories: Abstract New York”, Curated by Gayle Ruskin-White and Mark Zimmerman, LICK Gallery, Long Island City, NY

“Theories: Abstract New York”, Curated by Gayle Ruskin-White and Mark Zimmerman, Rodger    Ramsay Gallery, Chicago, Ill

2002  

“Hungry Eyes”, Curated by Monica Tap, Dalhousie Art Gallery, Halifax, Nova  Scotia
             
“Serious Fun”, Curated by Stacy Schmidt, Castle Gallery, New Rochelle, NY
             
“Holliday Paper”, Drabinsky Gallery, Toronto, Canada

2001     

“Rene Allian, Paul Campbell, John Zinsser”, Rodger Ramsay Gallery, Chicago, IL

“Group Exhibition”, Drabinsky Gallery, Toronto, Canada                

“Brooklyn, New Work, Curated by Linda Francis, Cathedral of Saint John the Devine, NY, NY
              
“Metro-New York”, Curated by Kenise Barnes, Schweinfurth Memorial Art Center
              
“Summer Group”, Roger Ramsay Gallery, Chicago, ILL
              
“Site Santa Fe Benefit”, James Kelly Gallery, Santa Fe, NM
              
“Summer Exhibition”, Drabinsky Gallery, Toronto, Canada

2000

“Group Exhibition”, Ferran Cano Gallery, Barcelona, Spain

“Re:Place”, Planet Thailand, Brooklyn, NY 

“ Recent Acquisitions”, The Norton Foundation, LA, CA

“Melting Pot”, Curated by Alex Muse, Kenise Barnes Gallery, Larchmont, NY

“Gifted”, Drabinsky Gallery, Toronto, Canada

1999    

“Postmark: An Abstract Effect”, Site Santa Fe, Santa Fe, NM

“Art for Park”, The Brooklyn Museum of Art, Brooklyn, NY
 
“Abstract”, Roger Ramsay Gallery, Chicago, ILL
 
“(P)review”, Roebling Hall, Brooklyn, NY      

1998     

“Pattern, Elizabeth Leach Gallery, Portland, Oregon   
                 
“Benefit Exhibition, Salon 75 Gallery, Brooklyn, NY “
                
 “4 Person Group Show”, George Billis Gallery, NY, NY

1997      

“Vertical/Horizontal, Satellite Gallery, Long Island City, NY
                 
“Current Undercurrent: Working in Brooklyn”, The Brooklyn Museum, NY         
                 
“Recurrence”, Gallery Korea, NY, NY

 “The Reflected Spirit”, Megan Fox Gallery, Santa Fe, New Mexico
                 
“Pierogi 2000 Files”,
                       
 Gasworks Gallery, London, England
                       
 Corner House Gallery, Manchester, England
                       
 Weatherspoon Gallery, University of North Carolina, Greensboro, NC
                 
“Take Home a Nude”, The New York Academy of Art, NY, NY
   
 1996    

“Mechanisms of Sensibility”, Curated by Joel Beck, Salon 75, Brooklyn, NY
                 
“Dots and Lines”, Curated by Theresa Chong, 8th Floor Gallery, NY, NY
                 
“Take Home a Nude”, New York Academy of Art, NY, NY
                
 “Image /After Image”,  Work Space Gallery, NY, NY
    
1995    

“Selections”,  Adam Baumgold Fine Art, NY, NY
                 
“Down the Garden Path”, Curated by Lesley Heller, Work Space Gallery, NY, NY
                 
“Works on Paper”, Curated by Chris Martin, S. Cono, Brooklyn, NY
                
 “Other Rooms”, Ronald Feldman Gallery, NY, NY

  1994  

  “Jobs Overseas”, Munchen Kunstverein, Munich Germany
               
  “Selections”, Adam Baumgold Fine Art, NY, NY
               
  “Dyad”, Curated by Annie Herron, Pierogi 2000 Gallery, Brooklyn, NY
               
  “Paintings and Unrelated Stories”, Mustard Space, Brooklyn, NY
 1993   

 “Four Walls Benefit”, David Zwirner Gallery, NY, NY
                
 “Inaugural Benefit Exhibition”, Rotunda Gallery, Brooklyn, NY     
    
1992   

 “The Neurotic Art Show Part II”, Artist Space, NY, NY
                
 “The Travel and Leisure Show”, Four Walls Gallery, Brooklyn, NY 
    
1991    

“Japan Airlines Anniversary Exhibition”, JFK International Airport, Brooklyn, NY
                
 “Update 90-91", White Columns Gallery, NY, NY
                 
“The Neurotic Art Show”, Four Walls Gallery, NY, NY
    
1989    

“Back Room Inaugral”, Curated by Judd Nelson, Kasia’s, Brooklyn, NY
              
   “Fresh Paint”, Hurlbut Gallery, Greenwich, CT 
    
1988    

“The Building Show”, Curated by Mary Funnell & Paul Campbell, Minor Injury                             
Gallery, Brooklyn, NY
   
 1987    

 “A Man and a Woman”, Dramatis Personae Gallery, NY, NY
   
 1986     

“Invitational Group”, New Math Gallery, NY, NY
                 
“Brooklyn 1985", The Brooklyn Museum of Art, Brooklyn, NY
                
 “Small Works Big Thinkers”, Bess Cutler Gallery, NY, NY   
    
1984    

 “Materials for the Arts”, Cultural Affairs Building, NY, NY
    
1983     

“The Marathon Show”, New York Road Runners Club, NY, NY
   
 1981     

“Massachusetts Council Exhibition”, Danforth Museum of Art, Worcestor, Ma.
    
1980    

 “Massachusetts Council Exhibition”, Rose Art Museum, Waltham Ma.


AWARDS

2003   

Pollock-Krasner Foundation Grant

1995   

ICA Boston Moonhole Residency, Bequia St. Vincent and the Grenadines 

1975  

Massachusetts College of Art Alumni Award for Excellence in Painting
      
BIBLIOGRAPHY

“Goings on About Town”, The New Yorker, October 18, 2004
Howard Halle, “Gallery Hopping”, BKLYN, Fall 2004
Debora Gilbert, “Art on Restaurant Walls”, Greenline, Volume XXIX NumberIII
Alice Burdick, “Hungry Eyes”, Arts Atlantic, Spring 2003 No.74
Stacey Schmidt, “Serious Fun”, catalog essay, 2002
Monica Tap, “Hungry Eyes”, catalog essay, 2002
Dominique Nahas, “Paul Campbell’s Recent Imperfect Systems Series”, Roebling Hall and Drabinsky Gallery catalog essay, 2002
David Pagel, Louis Grachos, Bruce Ferguson, David Moos, “Postmark: An Abstract Effect”,
Site Santa Fe Catalog essay, 1999
Joel Beck, “Auto Mechanics”, Roebling Hall catalog essay, 1999
Wesley Pulka, “Art for the Hypersensitive”, The Albuquerque Journal, May 1999
Bruce Ferguson, “The Mechanical Hand”, Megan Fox Gallery Exhibition Essay, 1998
Arden Reed, “Among the Artists of Our Time”, THE  Magazine, August 1998
Susan Hamberger, “Painting Show, Roebling Hall Gallery”, Waterfront Week, 1998
Craig Smith, “Letting the Paint Fall or Roll Where it May”, The Santa Fe New Mexican, 1998 
Kathleen McCloud, “Using Language of Abstraction for Expression”, Pasa Tiempo, 1997
Mark Zimmerman, “Vertical/Horizontal at Satelite Gallery”, 1997
James Campbell, Images After Images(More Than Meets the Eye)”, ImageAfterimage Catalog Essay, 1996  
Bruce Ferguson, “Jeffrrey Slonim’s Q&A(In With the Out Crowd)”, Artforum, March 1996
Laurie Pike, “Ooh La La; The Williamsburg Story”, Interview for The Canadian Arts and Entertainment Television Network, 1996
Jean Nathan, “Game, Set and Perspective”, The New York Times, Sunday, May 16, 1993  
Kathryn Kirk, “This Art Comes From a Brooklyn State of Mind”, The Brooklyn Phoenix, Jan 28, 1988