Resume

EDUCATION
MFA Hunter College, NYC 1981
BA Brown University, Providence, RI 1978

SOLO EXHIBITIONS

2011
Conversation, Heriard-Cimino Gallery, New Orleans, LA
Stills, Dubner Modern, Lausanne, Switzerland
New Paintings, James Kelly Contemporary, Santa Fe, NM

2010
Editions, Wade Wilson Art
New Paintings & Prints, Lennon, Weinberg Inc, New York, NY

2009
Sixteen Street, Wade Wilson Art, Houston, TX

2007
New Paintings, Lennon, Weinberg Inc, New York, NY
New Work, Wade Wilson Art, Houston, TX

2006
Naming Game, Bentley Projects. Phoenix, AZ
Naming Game, Fine Arts Galleries, URI, Kingston, RI

2005
New Drawings, Studio Caparrelli, London, UK
Naming Game, 1708 Gallery, Richmond, VA
Naming Game, Westby Gallery, Rowan University, NJ

2004
Parings, osp gallery, Boston, MA

2003
Naming Game, Kiang Gallery, Atlanta, GA

2001
New Work, Kiang Gallery, Atlanta, GA

2000
Works on Paper, Kate Ganz Gallery, New York, NY

1999
Recent Work, Jan Maiden Fine Arts, Columbus, OH

1999
Topographies, Instituto Cultural Peruano Norteamericano, Lima, Peru

1998
Topographies: Paintings, Danese Gallery, New York, NY

1996
North Fork Drawings, Wynn Kramarsky, New York, NY

1994
Paintings & Drawings, Black + Greenberg Gallery, New York, NY

1987
Drawings, Damon Brandt Gallery, New York, NY

SELECTED GROUP EXHIBITIONS

2011
Extravagant Drawing, Dorsky Gallery, Long Island City, NY
Fresh Paint, Reynolds Gallery, Richmond, VA

2010
Between Picture & Viewer: The Image in Contemporary Painting, Curated by Tom Huhn, Isabel Taube, Visual Arts Gallery at the School of Visual Arts, New York, NY
Ends & Means, Lennon, Weinberg, Inc., New York, NY
The White Album, Wade Wilson Art, Houston, TX
Graphic Masters III: Highlights from the Smithsonian American Art Museum, Smithsonian American Art Museum, Washington, DC
See Through, Islip Art Museum, Islip, NY

2009
Before Again, Lennon Weinberg Inc., New York, NY
Drawing Itself Brattleboro Museum and Art Center, Brattleboro, VT
On, Of or About: 50 paper works, Texas State University, San Marcos, TX
New Prints 2009/ Spring, International Print Center, New York, NY
Beneath the Seen, Wade Wilson Art, Houston, TX
Jill Moser/Lucinda Cobley, El Centro College, Dallas, TX

2008
Flow Chart, Lennon, Weinberg Gallery, New York, NY

2007
The Unseen, Lee Gallery, Clemson University, Clemson, SC
New Prints 2007/ Spring, International Print Center, NY
Small is Beautiful, Flowers, New York, NY

2006
Action Precision, Lennon, Weinberg Inc., New York, NY
Au Courant, Bentley Projects, Phoenix, AZ
Getting it ‘right’ , osp gallery, Boston, MA
Opening Group Show, Wade Wilson Art, Houston, TX

2005
New Prints 2005/Winter, International Print Center New York, NY

2004
Masters of the Obvious, Hampden Gallery, University of Massachusetts, Amherst, MA
From Abstraction to Minimalism: Selections, Bradbury Gallery, Fowler Center, Arkansas State University, Fayetteville, Arkansas

2003
Supercool, Kathryn Markel Fine Arts, New York, NY
Recent Acquisitions: Works on Paper, The Metropolitan Museum of Art, New York, NY
Define Line, Metaphor Contemporary Arts, Brooklyn, NY
Line Dancing, Islip Museum of Art, Islip, NY

2002
Drawn From A Family: Contemporary Works on Paper, Colby College Museum of Art, Waterville, ME

2001
Painting Abstraction II, New York Studio School, New York, NY
Lines, Kiang Gallery, Atlanta, GA

2000
New York-Classicism-Now, Hirschl & Adler Gallery, New York, NY
Snapshot, Baltimore Museum of Contemporary Art, Baltimore, MD

1997
After The Fall: Aspects of Abstract Painting Since 1970, Snug Harbor Cultural Center, Staten Island, NY
Drawing From Life, Stark Gallery, New York, NY

1996
Figuration Forward: Jill Moser/ Catherine Lee, Fine Arts Gallery, University of Rhode Island

1995
Drawings from the Agnes Gund Collection, The Century Association, NY

1994
Group Show, John McEnroe Gallery, New York, NY
Matter Matters, Proctor Art Center, Bard College, NY

1993
Black & White Drawings, The Museum of Modern Art, New York, NY
The Return of the Cadavre Exquis, The Drawing Center, New York, NY

1992
Slow Art: Painting in New York Now, PS 1, Long Island City, NY
Persistence of Painting, Kohn Pederson Fox, New York, NY

1991
Recent Acquisitions, National Museum of American Art, Washington, DC

1989
American Art Since WW II: Prints & Drawings, The Art Institute of Chicago, IL

1987
Recent Acquisitions: Drawings, The Museum of Modern Art, New York, NY
Art on Paper, The Weatherspoon Art Gallery, Greensboro, NC

1986
Group Show, Foxley Leach Gallery, Washington, DC
Art/Work, Bond Gallery, New York, NY

1985
Group Exhibition, Damon Brandt Gallery, New York, NY

1984
Selections 25, The Drawing Center, New York, NY

1983
The Black & White Show, Kenkeleba Gallery, New York, NY

PUBLIC COLLECTIONS

The Museum of Modern Art, New York, NY
The Metropolitan Museum of Art, New York, NY
The Art Institute of Chicago, Chicago, IL
The National Museum of American Art, Washington D.C.
National Gallery of Art, Washington D.C.
The Museum of Fine Arts, Houston, TX
Arkansas Art Center
Fogg Art Museum, Harvard University
Seattle Art Museum, Washington
Weatherspoon Art Gallery
Yale University Art Gallery
PaineWebber Inc., New York, NY
Pfizer Corporation, New York, NY
Progressive Corporation, OH
Microsoft Corporation
Prudential Life Insurance, NJ
Hospital Corporation of America, Louisville, KY
Eastman Pharmaceutical, Philadelphia, PA
Wellington Management, Boston, MA
Southern Methodist University, Dallas, TX
Kalamazoo Institute of Arts, Kalamazoo, MI

AWARDS

New York Foundation for the Arts, Painting Fellowship 1992
Max Beckmann Scholarship in Painting, Brooklyn Museum, NY 1978-7

SELECTED BIBLIOGRAPHY

Moser, Jill. Collaborating on the Introvert. NYFA Current: artists on art, March 30, 2011. (Reproductions from the Introvert)

Champa, Judith Tolnick. Extravagant Drawing, Dorsky Gallery, Curatorial Programs, 2011. (Reproduction p.3)

Thomson, Steven. “Serif Embedded in Swirls,” culturemap.com, December 2010.

Taube, Isabel and Huhn, Tom. Between Picture and the Viewer: The Image in Contemporary Painting, Exhibition catalog.Visual Arts Press, Ltd. 2010. (Reproduction p. 61)

Riley II, Charles A., PhD., Art At Lincoln Center – The Public Art and List Print and Poster Collections, John Wiley & Sons, Inc., Hoboken, NJ, 2009, p. 210.

Holzer, Stacey. “Lines of Flirtation,” visualseen.com, Fall 2009.

Interview with Meghan Hendley, The Front Line, KUHF, Houston National Public Radio, September 2009.

Maul, Tim. Sixteen Street, exhibition catalog, Wade Wilson Art, Houston, Texas: 2009.

Pankey, Eric, The Pear as One Example- New & Selected Poems 1984-2008, cover art, Ausable Press, 2008.

Wilkin, Karen. “At the Galleries,” The Hudson Review, Spring 2008.

Hirsch, Faye. “Jill Moser at Lennon, Weinberg”. Art in America, April 2008.

“Jill Moser: New Paintings,” Art and Living, Fall 2007.

Morton, Julia. “Art More or Less,” New York Press, November 14, 2007.

Taubman, Lara. “Blue is the Color of Infinity: A Studio Visit with Jill Moser,” artcritical.com, November 2007.

Grant, Daniel. “Major Museums Acquire the Abstract Art of Jill Moser,” ARTnewsletter, September 18, 2007.

Cunningham, Meredith. “Jill Moser at Wade Wilson Gallery”, artifice.blogspot.com, March 3, 2007.

Devine, John. “Jill Moser at Wade Wilson”, Glasstire.com, February 2007.

Farnell, Cynthia. “Jill Moser: Naming Game”, Art New England, October/November 2006.

Baker, R.C. Review of Action Precision, The Village Voice, July 28, 2006.

Van Siclen, Bill. Review of Naming Game at URI, The Providence Journal, July 20, 2006.

Norris, Douglas. Review of Naming Game, South County Independent, July 14, 2006.

Cohen, David. “The Afterlife of an Ideal”, review of Action Precision at Lennon, Weinberg, The New York Sun , June 29, 2006.

Ryan, Dinah. “Jill Moser: Naming Game”, Art Papers, March/April 2006.

Wei, Lilly. Naming Game, exhibition catalogue, 1708 Gallery, Richmond, VA, Westby Gallery, Rowan University, NJ and Main Gallery, University of Rhode Island: 2005.

Pounds, Kristen I. “Jill Moser: Parings”, Art New England, February/March 2005.

McQuaid, Cate. “Line Items”, The Boston Globe, November 12, 2004.

Westfall, Stephen. “Parings”, exhibition brochure, osp Gallery, Boston, MA: 2004.

Princenthal, Nancy. Masters of the Obvious, exhibition catalogue, Hampden Gallery, Unviersity of Massachusetts at Amherst, MA: 2004.

New American Painting, Number 50, Volume 9, Number 1, January 2004.

Fox, Catherine. "Circular Thinking". Atlanta Journal-Constitution. January 18, 2002.

Moos, David. "Orbit", Jill Moser: New Work, exhibition invitation, Kiang Gallery, Atlanta, GA: 2001.

Volk, Gregory. "Jill Moser at Kate Ganz", Art in America , July 2001.

Wei, Lily. "Jill Moser: Works on Paper ", Art News, April 2001.

Goodman, Jonathan. "Jill Moser: Works on Paper at Kate Ganz ", Art on Paper, March/April 2001.

Princenthal, Nancy. Jill Moser: Works on Paper , exhibition catalogue, Kate Ganz USA, New York, NY: 2000.

Bloemink, Barbara and Greg Hedberg. New York-Classicism-Now, exhibition catalogue, Hirschl & Adler Gallery, New York, NY: 2000.

Wei, Lily. After The Fall: Aspects of Abstract Painting Since 1970 , exhibition catalogue, Snug Harbor Cultural Center, Staten Island, NY: 1997.

Tableau : Territories Actuel/ New Territories in Painting , Ecole regionale Des Beaux Arts de Valence, France: 1997.

Smith, Roberta, "Drawing from Life", The New York Times, February 7, 1997.

Brenson, Michael. North Fork Drawings, exhibition catalogue, Wynn Kramarsky, New York, NY: 1996.

Van Siclen, Bill, "Two NY Artists at URI", Providence Journal, January 1996.

Faxon, Alicia, "Jill Moser & Catherine Lee", ART New England, June/July 1996.

Tolnick, Judith, Figuration Forward: Jill Moser & Catherine Lee, brochure, Fine Arts Gallery, University of Rhode Island, 1996.

Douglas, Olivia W., "Jill Moser at Black & Greenberg", ARTnews, February 1995.

Wei, Lilly, "Jill Moser at Black & Greenberg", Art in America, April 1995.

Wilkin, Karen, "At the Galleries", Partisan Review, Spring 1995.

Morgan, Robert C., "Drawing Deep", Cover Magazine, November 1994.

Adams, Brooks, "Slow Art at PS 1", Art in America, October 1992.